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Currents
in
Specialty Coffee
Market Trends, Producing Regions
& A Look at a
Year in Coffee 
Coffee
Losses
One Farmer's Life
in Coffee

Roaster Meets Grower
A Relationship in Coffee

Craft Roasting
Specialty Coffee's Past & Future 
Codes of a Fundamentalist Cupper
The Pursuit of Great Coffee 
Fast Coffee
How the Espresso
Machine Came to Be
Espresso
Exposed
Why the Average Espresso is Not What It Seems to Be

Calling the Shots
Will American Baristi
Ever Earn the Respect They Deserve? 
Adventures in Turk Kahvesi
Navigating the Traditions of Coffee
in Turkey
The
Latté Gambit
Seattle & the American
Coffee Scene

Coming of Age
in Coffee
A Consumer's
Journey Into Coffee
Connoisseurship
Where Do We Go
From Here?



Gimme! Coffee
Ithaca, New York

Diva Espresso
Seattle, Washington

The Sentient Bean
Savannah, Georgia


From the Publisher

From the Editor



Coffee Resource
Directory 2002
Advertiser Index 
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The Latte Gambit
Seattle and the American Coffee Scene
by Richard Reynolds
A surprising thing happened in Seattle in the 1980s. In this rain-soaked city
about as far as you can get from Italy in the continental United States, the seeds
of a coffee revolution were planted. Howard Schultz made his now-legendary visit
to the espresso bars of Milan in 1983 and convinced the founders of Starbucks
to test his new coffee bar concept in downtown Seattle the following year. Soon
after, Mauro Cipolla began roasting his Neapolitan-inspired Caffe D'arte blends;
Umberto Bizzarri brought his family's Perugia roots to Torrefazione Italia in
1986; and in 1988, David Schomer opened Espresso Vivaceall in the city eventually
dubbed "Latte Land."
Cipolla says that when he began roasting, the norm in Seattle was
espresso drinks that were "either bitter and burned or smoky and extremely strong.
We saw an opportunity in the marketplace to bring espresso closer to its historical
culinary flavors." But the scene was changing quickly as cafés and roasteries
continued to multiply in the Northwest. By the mid-'90s, Starbucks was adding
hundreds of stores a year to its empire. With its emphasis on milk-based espresso
drinks, the company single-handedly put the word "latte" into the popular lexicon
and made the consumption of espresso-based drinks a daily habit for millions of
Americans.
But why exactly did the American espresso tradition develop in
Seattle? Ted Lingle, executive director of the Specialty Coffee Association of
America, puts it this way: "Seattle's coffee tradition grew out of a collision
of three waves. First is the 'West Coast wave' that embraces change; second is
the 'fertility wave' that brings together cold weather and great water, which
spurs drinking of quality coffee brews; and third is the 'aficionado wave,' where
people of upper education and income investigate and initiate new modes of behavior."
Seattle
pioneer Kent Bakke, who set up his first espresso cart in 1977 and is now president
of Seattle-based Espresso Specialists Inc., offers a similar explanation: "The
weather in Seattle is conducive to drinking coffee, and we are blessed with good
water, without which you can't brew good coffee. In addition, the strong Scandinavian
heritage of coffee consumption helped create the coffee culture of Seattle and
the Northwest. Being somewhat isolated from the other cultural parts of America,
the Northwest developed its own roasting and brewing styles that melded the best
of Italian and American tastes."
Asked the same question, Bruce Milletto, owner of Bellissimo Coffee
InfoGroup in Eugene, Ore., cites a "migration" to the Northwest that took place
in the '60s. "A lot of really aware, hip people got in their Volkswagen buses
and tried to find an area that was suitable politically and environmentally to
their concerns." Milletto adds that "nobody expected it to be Seattle," but by
the early '90s, even before Starbucks started its geometric expansion, the Seattle
coffee scene was becoming known to people around the country.
Many specialty coffee independents find little good to say about
Starbucks, but Schomer of Espresso Vivace observes that the company did "raise
the bar on professionalism," setting a high standard for cleanliness, consistency
and service. Starbucks, he says, spelled the end for dives like The Last Exit
to Brooklyn, which Schomer frequented when he was a student at the University
of Washington. ("The bathroom required a gas mask to enter," he quips, "and the
coffee was ground fresh that week.")
But if Starbucks seems to have opened a store on half the street
corners in America, it also opened up opportunities for people like Schomer, Bizzarri
and Cipolla, not to mention the scores of other entrepreneurs who have used their
Seattle experiences to open cafés and roasteries around the country.
Jean-Philippe Iberti, co-owner of Philadelphia's La Colombe Torrefaction,
began working at Torrefazione Italia's Pioneer Square espresso bar in 1989, and
he still remembers the excitement of working at one of the busiest cafés in the
city. "It was fun to have a line out the door," he says. "We had great people,
and it was wonderful to be exposed to making that many drinks." In 1993 Iberti
and Todd Carmichael, who had worked for Starbucks and Espresso Roma, decided to
open their own business in Philadelphia. "Our mission," says Iberti, "was to take
the West Coast coffee experience to the East Coast."
But Iberti and Carmichael soon discovered that Philadelphia consumers
were afraid of espresso. "They believed if they had one they wouldn't sleep for
three days," Iberti says. He adds that locals didn't want a taste that was long-lasting,
one of the hallmarks of Italian espresso. Their solution was to create a blend
called Nizza, which Iberti dubbed "a soft espresso for the novice." Phocea, another
La Colombe blend, was designed for the New York market, where, as Iberti puts
it, "people think they like strong coffee, but they don't." La Colombe now supplies
espresso blends and decaf coffee to more than 800 restaurants in Philadelphia,
New York and other cities.
Another entrepreneur who branched out from Seattle in the early
'90s was Arne Holt, who moved to San Diego in 1991 with an espresso cart built
by his uncle and later brought in his sister, Susan, as a partner. Holt says that
the first six months were not easy. "People would ask for a cappuccino but expect
a mocha. They didn't want to taste the coffee. They wanted caffeine and they wanted
sweet." But, slowly, Holt began to educate his customers. "When they order a double
tall cappuccino, I'll say, 'Why don't you try a double shot latte?' I'll tell
them they don't have to pay for it if they don't like it." Since he opened, he
reports, he's moved from a 1 to 1 1/2-ounce, 20-second pull to a 3/4-ounce, 25-second
pull, and he now sells a lot of straight shots.
Holt says he owes a debt to several Seattle-area roasters who shared
their roasting knowledge when he was getting started, including Gary Smith of
Mukilteo Coffee Co., Eric Stone of Queen Ann Thriftway in Tacoma, and Ed Leebrick
of Lighthouse Coffee. "Coffee roasters don't share their secrets, but we were
fortunate enough to find three Seattle-area roasters who were generous enough
to do just that," says Holt. Today, he supplies more than 100 Southern California
businesses with his beans.
About the same time Holt was moving to San Diego, George and Susan
Krug left Seattle for Madison, Wis., where they opened Ancora Coffee. The Krugs
spent the year before their move learning the business, and, like Holt, they found
Seattle-area roasters surprisingly generous with their secrets. In addition to
seeking advice from Leebrick, the Krugs sought mentorship from Lindsey Bolger,
who at the time roasted for Batdorf & Bronson Coffee Roasters in Olympia, Washington.
The Krugs' mantra, George says, was "to bring the fresh-roasted taste of specialty
coffee to the Midwest." When they arrived in Madison, people told George and Susan
that they wouldn't make it unless they offered flavored coffees. "We put a stake
in the ground and said we're not gong to do that," George declares. He says another
challenge was serving one-ounce espresso shots when everybody else was doing two,
three and four ounces. "We also did five-ounce cappuccinos with a shot of espresso,
and people thought that was odd," he says. The Krugs have four retail stores in
Madison, and they roast six different espresso blends.
As Starbucks spreads the gospel of lattes throughout America, the
dream of opening an espresso bar and roasting your own continues to attract coffee
lovers to the business, and Seattle remains a mecca for many of them. Neil Edwards,
who runs La Tazzina, a Kansas City espresso cart, grew up in Prairie Grove, Ark.,
and has never set foot in Seattle. But when it came to choosing an espresso blend
for his business, he turned to the emerald city and quickly narrowed his search
to Espresso Vivace and Caffe D'arte. In the end, he chose D'arte's Firenze, the
lightest of their four standard blends. Edwards says it isn't easy to get his
customers to drink straight shots, but he notes that on this particular day he
has gone through every demitasse he placed on top of his espresso machine. He's
especially pleased when local baristi stop by for an espresso. "I can't tell you
how happy that makes me," he exclaims.
When Andy Barnett of Santa Rosa, Calif., decided to open an espresso
bar, he headed for a coffee trade show in Seattle. "In the midst of this marathon
madness I stumbled into Espresso Vivace's booth," he recalls. "I had been drinking
espresso for more than 20 years, and that was the best espresso beverage I had
tasted in my life."
When Barnett opened Santa Rosa's Western Caffe, he featured Vivace
coffee and became a student of Schomer's exacting espresso preparation methodology.
"Four hundred thousand shots of espresso later," he opened his own coffee-roasting
operation, Ecco Caffe, where he produces a Northern Italian-style roast. His other
espresso bar, Centro Espresso, is located in Sawyer's Newsstand in downtown Santa
Rosa, and upscale Napa County retailers carry his beans.
Of course, not everyone in the coffee business believes Seattle
should get all the credit for the espresso revolution. Portland, Ore.-based coffee
consultant Sherri Johns bristles at the notion that Seattle is an espresso mecca.
"Most of the old souls know that the American espresso scene started in the Italian
neighborhoods of San Francisco and New York," she counters. "People in Seattle
needed something to hang on to, and milk-based drinks and Starbucks were there
for them. Starbucks brought the attention and the media and provided a larger
platform for other retailers."
Many coffee retailers feel the same way as Johns about Seattle's
influence. Take Barry Jarrett of Reiley's Coffee and Fudge in Fairview Heights,
Illinois. Jarrett began selling fudge in 1988, with coffee as a secondary product.
A problem with his coffee supply led him to begin roasting his own within a few
months, and coffee soon became his primary focus. "I pretty much taught myself
to roast," he says, adding that Seattle had little influence over him. "We've
always done a decent espresso trade," he reports. "We're only five miles from
a major Air Force installation, and it's not uncommon to have customers who are
quite literally just off the plane from Naples."
George Howell established The Coffee Connection in Boston after
getting the coffee bug in Berkeley, Calif., birthplace of Peet's Coffee & Tea.
Both Howell and Andrew Frankwho worked for The Coffee Connection before opening
Sirius Coffee in Washington, D.C.point out that while Seattle popularized milk-based
espresso drinks, the city did not play a significant role in the spread of the
single-origin coffees favored by drip coffee fans such as themselves. Frank goes
so far as to suggest that the Seattle-inspired latte craze will fade when "people
realize that they're drinking milk and sugar and a little coffee flavoring."
Frank raises an issue that goes to the future of espresso drinks
in this country: Will American consumers ever graduate from the oversized milk-based
drinks popularized in Seattle to an appreciation for straight crema-laden espresso?
Milletto is outspoken on the subject. "Americans think bigger is better," he says.
"Many coffee bars are even getting rid of the eight-ounce cup. A single 12-ounce
cappuccino is insanean Italian cappuccino should be served in a four- to six-ounce
cup. The recipe has been bastardized."
And, of course, this "big is better" mentality doesn't stop at
the 12-ounce cup. Nearly all of the café owners interviewed for this article lament
the fact that customer demand has forced them to add 20-ounce cups. Even Caffe
D'arte, which is about as close to the Italian tradition as you can get in this
country, has given in. ("We had to corner Mauro in a room," reports general manager
Joe Mancuso.)
But if café owners say that customer demand has forced them to
offer 20-ounce cups, they quickly add that as they enlighten customers' palates,
these customers begin to gravitate toward a macchiato or straight espresso. Unfortunately,
this positive note is offset by the fact that serious, committed rosters and café
owners remain a minority in the world of coffee retailing. "It's a slow process
of education," says Milletto. "I won't say I've seen the light at the end of the
tunnel, but I've seen people begin to understand that they need to spend more
on training their baristi." Schomer is less optimistic. "There is a movement to
create gourmet espresso in the U.S.," he observes, "but it is still very hit or
miss. Outside of a handful of spots, the chances of getting a decent espresso
in this country are zero. Really, you must be in the hands of the Italians in
most cities of the world to get a true espresso."
Seattle and Starbucks can take credit for popularizing espresso
drinks in America, but unfortunately, the job was accomplished by delivering this
remarkable beverage in double grande cups of steamed milk. Now it's up to cafés
and roasters around the country to convert consumers from super-sized lattes to
quality espresso beverages. It should also be noted that most restaurant critics,
who wax poetic over wine lists, remain woefully ignorant on the subject of espresso.
Until café owners and food critics begin to enlighten consumers and those consumers
begin to demand quality espresso, milk and sugarif not raspberry flavoringwill
remain the dominant elements in most American espresso drinks.
Richard Reynolds is communications director
of Mother
Jones Magazine and has been obsessing
over espresso for the past 20 years.

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